
Bredahl grew up in a social housing estate on the outskirts of Copenhagen, with her single mother and her younger sister. Their flat was very colourful, a contrast to the minimalist Scandinavian aesthetic. Thus, each room had its own hue: deep blue, bright red, and floral patterns. When Bredahl was seven, her mother gave her a camera. Together, they recorded their daily lives. At a young age, the two sisters were confronted with their mother's substance addiction, which made a deep impression on them. In Rooms We Made Safe, Bredahl returns to the terrain of her childhood, once a dangerous place, and transforms it into powerful artistic expression. As an echo of her years of documenting domestic spaces, the rooms at Huis Marseille are each dedicated to a specific period in her life and its photographic precipitation.