When the trees are gone is a series of evocative composite images in which relaxed beachgoers find themselves amidst carefully composed urban settings in front of dramatic skies.

Today, I share with you my new series of Hong Kong, which I captured a few months before the COVID-19 pandemic.

In my work, I choose for visual nuisances, noises, dissonance, and reconstructed my vision of the abandoned, deprived park.

A trip through the mind and everyday life of adolescents with mental illnesses in state clinics in Turkey.

As a white mother of two adopted coloured children, it has always felt necessary for my children and me to get to know their roots.

Interventions are a series of photomontages from Michael Jantzen that are created with images of some of his built and unbuilt structures and sculptures.

With my drone photo series, I symbolize freedom that is the opposite of everyday life of the prisoners.

The scent of the past and abandonment reassure me—the noise of today's life awaken in me a deep desire to return to the natural life.

In this series Meditations, Alice Zilberberg creates animal montages as an expression of self-therapy.

"Drifted Away" sets in Dominica, an island country in the Caribbean, in conversation by and for resilience in the aftermath of Hurricane Maria, with and by the people who might have suffered the most loosing a relative in the storm.

This project Looking Out continues my exploration of how modern technology and machinery are often seen as disruptive of ‘nature’ as a retreat from the urban environment.

Alfonso de Gregorio repurpose imaging surveillance technologies to the photographic space that lays at the intersection of personal documentary and art.

Ali Shokri presents his work as a reminder that we need to take care of our natural world.

Dienie Brouwer is studying the continuous tension between visibility and invisibility.

Beth is not a portrait of a single woman, but is an emerging lyrical archetype guiding my exploration into the aesthetic echos of female poetry and strength in the context of art photography.

I realised I had a camera in my pocket; my iPhone. So I pointed it at the moon through the trees, and I fell in love.

I am not a photographer, but an artist who deploys photography in my creative process.

These strangers are likely to share memories of growing up, the world's events and life experiences, albeit within cultural and personal contexts.

The prescribed lockdown of the Covid-19 pandemic has had an emotive impact on our lives and the relationships we maintain with our immediate surroundings.

Marta Anna Løvberg uses everyday items that have suddenly taken on new meaning.

Erik Dittert builds with his close-ups a path between nature and humankind.