My images move between what is real and dream

The series Between two worlds explores themes of metamorphism, transformation, ascension.

Postcards of the British Empire

I use present-day visual language and techniques

I study the depth of the human soul

A story about migrant workers during lockdown

I want to see what my father saw, and I want him to see what I see

Our habits and routines reflect our conscious choices

Country Mysteries comes from the need to tell about the echoes of the places I belong

Documentation of the last wild places on the planet

I use gold leaf on my images to seal my memory

An emotional response to space and time during the pandemic

Hall of Mirrors aims to examine preconceived notions of womanhood.

A seismographic search, dysfunctions of a system, 30 years after the 'stolen revolution' in Romania

Still lifes of re-photographed and printed objects

I explore the forced relationship between natural and artificial light in the landscape

Photographs about Istanbul pulsing with life.

Slaves and animals were treated without distinction

An intimate relationship, essential, sometimes coercive and hostile, sometimes harmonious and streamliner, however abiding and indissoluble.

With each image, I attempt to capture the essence of fleeting moments of vanishing beauty

Still lifes of improvised materials from home

A story about exploitation and resistance in the land of the new white gold

There is only one moment, and that is the moment of ‘being’

A Polaroid series about nature and meditation

I have always chosen feminine individuals as my subject, trying to understand their secrets

The series Body Editor was inspired by the digital failures and bugs in popular beauty apps, where unnatural bodies get distorted

A photographic documentation project that focuses on current issues such as pollution and environmental protection

A place of which no walls, lakes or mountains are known

Seeing You, Seeing Me began as a photographic collaboration between my 21-year-old daughter, Leah, and me

I re-discovered an unwanted, forgotten yet Promised land.

Buoys is a series that offers a glimpse into my hometown of Brighton during the lockdown.

When the trees are gone is a series of evocative composite images in which relaxed beachgoers find themselves amidst carefully composed urban settings in front of dramatic skies.

Today, I share with you my new series of Hong Kong, which I captured a few months before the COVID-19 pandemic.

In my work, I choose for visual nuisances, noises, dissonance, and reconstructed my vision of the abandoned, deprived park.

A trip through the mind and everyday life of adolescents with mental illnesses in state clinics in Turkey.

As a white mother of two adopted coloured children, it has always felt necessary for my children and me to get to know their roots.

Interventions are a series of photomontages from Michael Jantzen that are created with images of some of his built and unbuilt structures and sculptures.

With my drone photo series, I symbolize freedom that is the opposite of everyday life of the prisoners.

The scent of the past and abandonment reassure me—the noise of today's life awaken in me a deep desire to return to the natural life.

In this series Meditations, Alice Zilberberg creates animal montages as an expression of self-therapy.

"Drifted Away" sets in Dominica, an island country in the Caribbean, in conversation by and for resilience in the aftermath of Hurricane Maria, with and by the people who might have suffered the most loosing a relative in the storm.

This project Looking Out continues my exploration of how modern technology and machinery are often seen as disruptive of ‘nature’ as a retreat from the urban environment.

Ali Shokri presents his work as a reminder that we need to take care of our natural world.

Alfonso de Gregorio repurpose imaging surveillance technologies to the photographic space that lays at the intersection of personal documentary and art.

Dienie Brouwer is studying the continuous tension between visibility and invisibility.

Beth is not a portrait of a single woman, but is an emerging lyrical archetype guiding my exploration into the aesthetic echos of female poetry and strength in the context of art photography.

I realised I had a camera in my pocket; my iPhone. So I pointed it at the moon through the trees, and I fell in love.

I am not a photographer, but an artist who deploys photography in my creative process.

These strangers are likely to share memories of growing up, the world's events and life experiences, albeit within cultural and personal contexts.

The prescribed lockdown of the Covid-19 pandemic has had an emotive impact on our lives and the relationships we maintain with our immediate surroundings.

Marta Anna Løvberg uses everyday items that have suddenly taken on new meaning.

Erik Dittert builds with his close-ups a path between nature and humankind.

Karen Miki Rohee presents a series of images that she took during quarantine that reflect the kaleidoscope of emotions she is feeling now.

Corona has turned the world upside-down and all at once transformed my whole bedroom into a walk-in camera.

Sua Flora: a poetic about flowers and love