I photograph the ordinary edges of places where people live. These twelve images were taken in the Pacific Northwest, Greece, and Iceland. I didn't select these locations for their uniqueness; I photograph where I spend my time.
Keeping them in a sequence is a way to reject the idea of travel photography — they don't serve as reports from specific locations. The connection between them isn't based on geography but on a particular approach to observing, reflected in both how I view and print the images. Ultimately, cohesion is about the act of looking itself, not about the places depicted.
I make the pictures plainly, at eye level, in flat light, without highlighting any specific event in the frame. My focus is on capturing attention itself — how an ordinary place becomes understandable when you stand in front of it long enough.
About
Tal Danan is a photographer based in Portland, Oregon. Working in medium format, he photographs the quiet infrastructure of inhabited landscapes.
I photograph the ordinary edges of places where people live. These twelve images were taken in the Pacific Northwest, Greece, and Iceland. I didn't select these locations for their uniqueness; I photograph where I spend my time.
Keeping them in a sequence is a way to reject the idea of travel photography — they don't serve as reports from specific locations. The connection between them isn't based on geography but on a particular approach to observing, reflected in both how I view and print the images. Ultimately, cohesion is about the act of looking itself, not about the places depicted.
I make the pictures plainly, at eye level, in flat light, without highlighting any specific event in the frame. My focus is on capturing attention itself — how an ordinary place becomes understandable when you stand in front of it long enough.
About
Tal Danan is a photographer based in Portland, Oregon. Working in medium format, he photographs the quiet infrastructure of inhabited landscapes.
I photograph the ordinary edges of places where people live. These twelve images were taken in the Pacific Northwest, Greece, and Iceland. I didn't select these locations for their uniqueness; I photograph where I spend my time.
Keeping them in a sequence is a way to reject the idea of travel photography — they don't serve as reports from specific locations. The connection between them isn't based on geography but on a particular approach to observing, reflected in both how I view and print the images. Ultimately, cohesion is about the act of looking itself, not about the places depicted.
I make the pictures plainly, at eye level, in flat light, without highlighting any specific event in the frame. My focus is on capturing attention itself — how an ordinary place becomes understandable when you stand in front of it long enough.
About
Tal Danan is a photographer based in Portland, Oregon. Working in medium format, he photographs the quiet infrastructure of inhabited landscapes.