Japanese Garden
In Artdoc Photo Magazine Issue #2 2020, we bring a mix of photography about our complex relationship with nature. Wendi Schneider and Ali Shokri bring a homage to the trees. Naohiro Ninomiya and Jennifer Graham show poetic and layered photos of nature and birds. As a special feature, you can read what Sebastião Salgado says about his magnum opus Genesis. In our group exhibition, the Japanese Garden we bring photographers around the theme of reflection and tranquillity of nature. You can also read about the theory of the photograph as a metaphor, based on the theory of Minor White.
Beyond Aesthetics
In issue #1 2020, we bring photographers for whom the image is a way of expressing the provocative, abrasive and inquisitive relationship with the world. The Norwegian Ole Marius Joergensen made Hopper like scenes, depicting his melancholic feeling of never arriving at the goal. The Dutch photographer Erwin Olaf uses photography as a medium to tell stories that connect his inner life with the world around him. His cinematic images, representing emotions of modern times, are aesthetic and confronting at the same time. In Photo Culture we bring an introduction to the semiology of photography, the theory that analyses the often-hidden way in which images communicate. And our online exhibition Beyond Aesthetics shows the vision on beauty of ten experimental photographers.
Japanese Garden
In Artdoc Photo Magazine Issue #2 2020, we bring a mix of photography about our complex relationship with nature. Wendi Schneider and Ali Shokri bring a homage to the trees. Naohiro Ninomiya and Jennifer Graham show poetic and layered photos of nature and birds. As a special feature, you can read what Sebastião Salgado says about his magnum opus Genesis. In our group exhibition, the Japanese Garden we bring photographers around the theme of reflection and tranquillity of nature. You can also read about the theory of the photograph as a metaphor, based on the theory of Minor White.
Beyond Aesthetics
In issue #1 2020, we bring photographers for whom the image is a way of expressing the provocative, abrasive and inquisitive relationship with the world. The Norwegian Ole Marius Joergensen made Hopper like scenes, depicting his melancholic feeling of never arriving at the goal. The Dutch photographer Erwin Olaf uses photography as a medium to tell stories that connect his inner life with the world around him. His cinematic images, representing emotions of modern times, are aesthetic and confronting at the same time. In Photo Culture we bring an introduction to the semiology of photography, the theory that analyses the often-hidden way in which images communicate. And our online exhibition Beyond Aesthetics shows the vision on beauty of ten experimental photographers.