© Alice Zilberberg | Meditations
I’ve been craving getting wildlife into my work for a long time. Thematically, it is a continuation of ideas I’ve had in mind for years and explored in my previous work. I always look to nature to restore a sense of grounding and calmness, and I find this in wildlife as well. With my repertoire, I explore themes about the human condition, namely personal identity, emotional intelligence, relationships, and emotionality. I find mindfulness in these creatures and vast landscapes. I also genuinely care about nature and wildlife conservation, and I want to draw more attention to conservation efforts. I hope to bring these works into people’s lives and on collector’s walls. It will encourage a conversation about conservation, and how it is not only good for the environment but for us emotionally as well.
There is a lot of labour to the images. Works take months to complete, with every detail meticulously inspected for perfection. For this project, I shot with natural light, and I use a digital camera. My style includes a lot of digital post-production as well. I travel around the world for each of my backgrounds. I shot on different places, and some environments are a combination of a few places. The animals are photographed separately, and they are sometimes a combination of a few images as well. These elements are merged digitally and combined with ingredients such as image manipulation, toning, colouring, and digital painting. I need to get the best images of the animals and the environments I possibly can, to make sure the angle and lighting are right to be able to combine them.
Some of my favourite artists are Dali and Magritte, and many baroque painters. I look at a lot of contemporary art and photography for inspiration. In my work, I also engage with psychology and philosophy. I am especially interested in self-awareness and emotional intelligence. Some inspiring people for my art are Alain de Button, Yuval Harari, and Esther Perel.
I was born in what was then the Soviet Union and is now called Tallinn, Estonia. We immigrated to Israel when I was two years old, and moved as a family to Toronto when I was eleven years old. My relationship with art is life-long. I used to paint when I was a little kid, and I played around with photo-manipulation when I was very young. When I started experimenting with photography, I saw that I could create images with the details I wanted, which seem real, but simultaneously unreal. I’ve worked this way ever since.
I’ve been craving getting wildlife into my work for a long time. Thematically, it is a continuation of ideas I’ve had in mind for years and explored in my previous work. I always look to nature to restore a sense of grounding and calmness, and I find this in wildlife as well. With my repertoire, I explore themes about the human condition, namely personal identity, emotional intelligence, relationships, and emotionality. I find mindfulness in these creatures and vast landscapes. I also genuinely care about nature and wildlife conservation, and I want to draw more attention to conservation efforts. I hope to bring these works into people’s lives and on collector’s walls. It will encourage a conversation about conservation, and how it is not only good for the environment but for us emotionally as well.
There is a lot of labour to the images. Works take months to complete, with every detail meticulously inspected for perfection. For this project, I shot with natural light, and I use a digital camera. My style includes a lot of digital post-production as well. I travel around the world for each of my backgrounds. I shot on different places, and some environments are a combination of a few places. The animals are photographed separately, and they are sometimes a combination of a few images as well. These elements are merged digitally and combined with ingredients such as image manipulation, toning, colouring, and digital painting. I need to get the best images of the animals and the environments I possibly can, to make sure the angle and lighting are right to be able to combine them.
Some of my favourite artists are Dali and Magritte, and many baroque painters. I look at a lot of contemporary art and photography for inspiration. In my work, I also engage with psychology and philosophy. I am especially interested in self-awareness and emotional intelligence. Some inspiring people for my art are Alain de Button, Yuval Harari, and Esther Perel.
I was born in what was then the Soviet Union and is now called Tallinn, Estonia. We immigrated to Israel when I was two years old, and moved as a family to Toronto when I was eleven years old. My relationship with art is life-long. I used to paint when I was a little kid, and I played around with photo-manipulation when I was very young. When I started experimenting with photography, I saw that I could create images with the details I wanted, which seem real, but simultaneously unreal. I’ve worked this way ever since.
I’ve been craving getting wildlife into my work for a long time. Thematically, it is a continuation of ideas I’ve had in mind for years and explored in my previous work. I always look to nature to restore a sense of grounding and calmness, and I find this in wildlife as well. With my repertoire, I explore themes about the human condition, namely personal identity, emotional intelligence, relationships, and emotionality. I find mindfulness in these creatures and vast landscapes. I also genuinely care about nature and wildlife conservation, and I want to draw more attention to conservation efforts. I hope to bring these works into people’s lives and on collector’s walls. It will encourage a conversation about conservation, and how it is not only good for the environment but for us emotionally as well.
There is a lot of labour to the images. Works take months to complete, with every detail meticulously inspected for perfection. For this project, I shot with natural light, and I use a digital camera. My style includes a lot of digital post-production as well. I travel around the world for each of my backgrounds. I shot on different places, and some environments are a combination of a few places. The animals are photographed separately, and they are sometimes a combination of a few images as well. These elements are merged digitally and combined with ingredients such as image manipulation, toning, colouring, and digital painting. I need to get the best images of the animals and the environments I possibly can, to make sure the angle and lighting are right to be able to combine them.
Some of my favourite artists are Dali and Magritte, and many baroque painters. I look at a lot of contemporary art and photography for inspiration. In my work, I also engage with psychology and philosophy. I am especially interested in self-awareness and emotional intelligence. Some inspiring people for my art are Alain de Button, Yuval Harari, and Esther Perel.
I was born in what was then the Soviet Union and is now called Tallinn, Estonia. We immigrated to Israel when I was two years old, and moved as a family to Toronto when I was eleven years old. My relationship with art is life-long. I used to paint when I was a little kid, and I played around with photo-manipulation when I was very young. When I started experimenting with photography, I saw that I could create images with the details I wanted, which seem real, but simultaneously unreal. I’ve worked this way ever since.
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