© Nikita Roytman | Nocturnal Mood of Time
Photography and time have always been deeply intertwined. In my photographic project, the concept and the passage of time are represented both historically and metaphorically. The visual style calls back to the aesthetics of the Pictorialism movement, popular between the end of the 19th and the early 20th centuries. At the same time, the works of Alfred Stieglitz and Edward Steichen present significant sources of influence and inspiration for me.
The preference of dark, blurry scenes and specific tonality and mood imparted on the picture by the artist’s personality were at the core of the pictorial expression due to the interest in emulating paintings and elevating photography to a high-art status. This presents a fascinating connection back to the essence of photography and the word itself, roughly translated from Greek as "painting with light".
As I have been deeply interested in starry skies from an early age, I chose the star-light to be the painter in my pictures. But there is a deeper meaning to this choice as well. Each bright speck in the sky is a star that sent its light hundreds and sometimes even thousands of years ago on its way to Earth, where it was eventually photographically captured. It is awe-inspiring to wonder what humanity and Earth looked like at each of those past moments, but also to realise that each photograph shows a collection of light from completely different epochs, combining them into one centuries-encompassing picture.
Photography and time have always been deeply intertwined. In my photographic project, the concept and the passage of time are represented both historically and metaphorically. The visual style calls back to the aesthetics of the Pictorialism movement, popular between the end of the 19th and the early 20th centuries. At the same time, the works of Alfred Stieglitz and Edward Steichen present significant sources of influence and inspiration for me.
The preference of dark, blurry scenes and specific tonality and mood imparted on the picture by the artist’s personality were at the core of the pictorial expression due to the interest in emulating paintings and elevating photography to a high-art status. This presents a fascinating connection back to the essence of photography and the word itself, roughly translated from Greek as "painting with light".
As I have been deeply interested in starry skies from an early age, I chose the star-light to be the painter in my pictures. But there is a deeper meaning to this choice as well. Each bright speck in the sky is a star that sent its light hundreds and sometimes even thousands of years ago on its way to Earth, where it was eventually photographically captured. It is awe-inspiring to wonder what humanity and Earth looked like at each of those past moments, but also to realise that each photograph shows a collection of light from completely different epochs, combining them into one centuries-encompassing picture.
Photography and time have always been deeply intertwined. In my photographic project, the concept and the passage of time are represented both historically and metaphorically. The visual style calls back to the aesthetics of the Pictorialism movement, popular between the end of the 19th and the early 20th centuries. At the same time, the works of Alfred Stieglitz and Edward Steichen present significant sources of influence and inspiration for me.
The preference of dark, blurry scenes and specific tonality and mood imparted on the picture by the artist’s personality were at the core of the pictorial expression due to the interest in emulating paintings and elevating photography to a high-art status. This presents a fascinating connection back to the essence of photography and the word itself, roughly translated from Greek as "painting with light".
As I have been deeply interested in starry skies from an early age, I chose the star-light to be the painter in my pictures. But there is a deeper meaning to this choice as well. Each bright speck in the sky is a star that sent its light hundreds and sometimes even thousands of years ago on its way to Earth, where it was eventually photographically captured. It is awe-inspiring to wonder what humanity and Earth looked like at each of those past moments, but also to realise that each photograph shows a collection of light from completely different epochs, combining them into one centuries-encompassing picture.
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