


Anemona Knut: Out of My Hands is a long-term documentary project exploring the lives of teenage girls who fled the war in Ukraine and are now rebuilding their futures in the UK. At first glance, they appear to be like any other teenagers—laughing, studying, making plans—but beneath the surface, they bear the burden of displacement, loss, and uncertainty.


This project began with my personal experience of hosting a young Ukrainian refugee. Witnessing her struggle, which resulted in a mental breakdown requiring hospitalisation, made me realise how little we truly perceive beyond first impressions. Inspired by this, I began photographing Karina, Evelina, and Marina in April 2023—documenting their daily lives, relationships, and quiet moments of resilience.


I work with both reportage and conceptual portraiture, often using film to create a timeless, intimate perspective. The images blend staged and candid elements, reflecting the tension between how these young women present themselves and the deeper emotional realities they hold within. This project is not merely documentation but also a collaboration. The girls play an active role in shaping their narrative, directing some of the images and contributing their own archival photos. Together, we construct a story that challenges assumptions, revealing what is often concealed. Out of My Hands invites the viewer to look deeper, to recognise the silent echoes of trauma, and to foster a greater sense of empathy and understanding for those compelled to start afresh.


Anemona Knut: Out of My Hands is a long-term documentary project exploring the lives of teenage girls who fled the war in Ukraine and are now rebuilding their futures in the UK. At first glance, they appear to be like any other teenagers—laughing, studying, making plans—but beneath the surface, they bear the burden of displacement, loss, and uncertainty.


This project began with my personal experience of hosting a young Ukrainian refugee. Witnessing her struggle, which resulted in a mental breakdown requiring hospitalisation, made me realise how little we truly perceive beyond first impressions. Inspired by this, I began photographing Karina, Evelina, and Marina in April 2023—documenting their daily lives, relationships, and quiet moments of resilience.


I work with both reportage and conceptual portraiture, often using film to create a timeless, intimate perspective. The images blend staged and candid elements, reflecting the tension between how these young women present themselves and the deeper emotional realities they hold within. This project is not merely documentation but also a collaboration. The girls play an active role in shaping their narrative, directing some of the images and contributing their own archival photos. Together, we construct a story that challenges assumptions, revealing what is often concealed. Out of My Hands invites the viewer to look deeper, to recognise the silent echoes of trauma, and to foster a greater sense of empathy and understanding for those compelled to start afresh.


Anemona Knut: Out of My Hands is a long-term documentary project exploring the lives of teenage girls who fled the war in Ukraine and are now rebuilding their futures in the UK. At first glance, they appear to be like any other teenagers—laughing, studying, making plans—but beneath the surface, they bear the burden of displacement, loss, and uncertainty.


This project began with my personal experience of hosting a young Ukrainian refugee. Witnessing her struggle, which resulted in a mental breakdown requiring hospitalisation, made me realise how little we truly perceive beyond first impressions. Inspired by this, I began photographing Karina, Evelina, and Marina in April 2023—documenting their daily lives, relationships, and quiet moments of resilience.


I work with both reportage and conceptual portraiture, often using film to create a timeless, intimate perspective. The images blend staged and candid elements, reflecting the tension between how these young women present themselves and the deeper emotional realities they hold within. This project is not merely documentation but also a collaboration. The girls play an active role in shaping their narrative, directing some of the images and contributing their own archival photos. Together, we construct a story that challenges assumptions, revealing what is often concealed. Out of My Hands invites the viewer to look deeper, to recognise the silent echoes of trauma, and to foster a greater sense of empathy and understanding for those compelled to start afresh.