ARCHITECTURE
Rosaria Sabrina Pantano (Italy) for Emotional Geography, a black & white image featuring 38° Parallelo, a pyramid shaped sculpture by Mauro Staccioli which stands at the exact point where the geographical coordinates touch the 38th parallel.
CREATIVE
Suxing Zhang (China Mainland) for Knot, a portrait of a young woman with a collage of symbolic elements. This single black & white image is part of the series Hua (meaning flower in Chinese) which looks at flowers as metaphors of femininity.
CULTURE
Antoine Veling (Australia) for Mark 5:28, a photograph capturing the moment when members of the audience were invited on stage to dance at an Iggy Pop concert in the Sydney Opera House on 17 April 2019. Depicting Iggy Pop in a crowd of dancing fans, the image focuses on the singer, a woman reaching to touch him and a stage assistant struggling to keep people at bay. The scene, which was likened to a Caravaggio painting, conjures a biblical passage: Because she thought, “If I just touch his clothes, I will be healed.” (Mark 5:25-34, line 28).
LANDSCAPE
Craig McGowan (Australia) for Ice Reflections, an image of a solitary iceberg, set against the fjord walls in Northeast Greenland National Park. The iceberg and surrounding landscape are perfectly mirrored in the clear waters of the river resulting in a painterly and abstract photograph.
MOTION
Alec Connah (UK) for Going Down!, a record of the moment the four cooling towers of Ironbridge Power Station in Shropshire were demolished on 6 December 2019.
NATURAL WORLD & WILDLIFE
Guofei Li (China Mainland) for Tai Chi Diagram, taken in Botswana, the picture features two cheetahs licking each other clean following a successful hunt – their position in the frame resembles the shape of a Yin and Yang symbol.
PORTRAITURE
Tom Oldham (UK) for Black Francis, a black & white portrait, originally taken for MOJO Magazine, of Pixies frontman Charles Thompson (aka Black Francis). When approaching the assignment Oldham, an experienced portrait photographer, was painfully aware of the many photoshoots his sitter has been the subject of and asked him to acknowledge his frustration with the process. The resulting image, picturing the singer digging his hands into his face, offered the perfect gesture and ran as the lead image for the article.
STILL LIFE
Jorge Reynal (Argentina) for A Plastic Ocean, a photograph of a dead fish seemingly struggling for breath in a plastic bag. The image aims to highlight the plastic pollution crisis impacting our oceans.
STREET PHOTOGRAPHY
Santiago Mesa (Colombia) for Colombia Resiste, the photograph documents a protester in the city of Medellin where workers and street vendors were taking part in a march when the Medellin riot squad dispersed them. This demonstration is one of many that have broken out across Latin America in recent years for reasons including the rising cost of living, inequality and lack of opportunity.
TRAVEL
Adrian Guerin (Australia) for Riding a Saharan Freight Train, an image taken from the top of the rear carriage of the iron-ore train in Mauritania as it was making its 700 km long journey from the coastal town of Nouadhibou to the Saharan wilderness of Zouérat. Stretching 2.5km in length, it’s one of the longest trains in the world transporting more than 200 carriages loaded with rocks.
ARCHITECTURE
Rosaria Sabrina Pantano (Italy) for Emotional Geography, a black & white image featuring 38° Parallelo, a pyramid shaped sculpture by Mauro Staccioli which stands at the exact point where the geographical coordinates touch the 38th parallel.
CREATIVE
Suxing Zhang (China Mainland) for Knot, a portrait of a young woman with a collage of symbolic elements. This single black & white image is part of the series Hua (meaning flower in Chinese) which looks at flowers as metaphors of femininity.
CULTURE
Antoine Veling (Australia) for Mark 5:28, a photograph capturing the moment when members of the audience were invited on stage to dance at an Iggy Pop concert in the Sydney Opera House on 17 April 2019. Depicting Iggy Pop in a crowd of dancing fans, the image focuses on the singer, a woman reaching to touch him and a stage assistant struggling to keep people at bay. The scene, which was likened to a Caravaggio painting, conjures a biblical passage: Because she thought, “If I just touch his clothes, I will be healed.” (Mark 5:25-34, line 28).
LANDSCAPE
Craig McGowan (Australia) for Ice Reflections, an image of a solitary iceberg, set against the fjord walls in Northeast Greenland National Park. The iceberg and surrounding landscape are perfectly mirrored in the clear waters of the river resulting in a painterly and abstract photograph.
MOTION
Alec Connah (UK) for Going Down!, a record of the moment the four cooling towers of Ironbridge Power Station in Shropshire were demolished on 6 December 2019.
NATURAL WORLD & WILDLIFE
Guofei Li (China Mainland) for Tai Chi Diagram, taken in Botswana, the picture features two cheetahs licking each other clean following a successful hunt – their position in the frame resembles the shape of a Yin and Yang symbol.
PORTRAITURE
Tom Oldham (UK) for Black Francis, a black & white portrait, originally taken for MOJO Magazine, of Pixies frontman Charles Thompson (aka Black Francis). When approaching the assignment Oldham, an experienced portrait photographer, was painfully aware of the many photoshoots his sitter has been the subject of and asked him to acknowledge his frustration with the process. The resulting image, picturing the singer digging his hands into his face, offered the perfect gesture and ran as the lead image for the article.
STILL LIFE
Jorge Reynal (Argentina) for A Plastic Ocean, a photograph of a dead fish seemingly struggling for breath in a plastic bag. The image aims to highlight the plastic pollution crisis impacting our oceans.
STREET PHOTOGRAPHY
Santiago Mesa (Colombia) for Colombia Resiste, the photograph documents a protester in the city of Medellin where workers and street vendors were taking part in a march when the Medellin riot squad dispersed them. This demonstration is one of many that have broken out across Latin America in recent years for reasons including the rising cost of living, inequality and lack of opportunity.
TRAVEL
Adrian Guerin (Australia) for Riding a Saharan Freight Train, an image taken from the top of the rear carriage of the iron-ore train in Mauritania as it was making its 700 km long journey from the coastal town of Nouadhibou to the Saharan wilderness of Zouérat. Stretching 2.5km in length, it’s one of the longest trains in the world transporting more than 200 carriages loaded with rocks.
ARCHITECTURE
Rosaria Sabrina Pantano (Italy) for Emotional Geography, a black & white image featuring 38° Parallelo, a pyramid shaped sculpture by Mauro Staccioli which stands at the exact point where the geographical coordinates touch the 38th parallel.
CREATIVE
Suxing Zhang (China Mainland) for Knot, a portrait of a young woman with a collage of symbolic elements. This single black & white image is part of the series Hua (meaning flower in Chinese) which looks at flowers as metaphors of femininity.
CULTURE
Antoine Veling (Australia) for Mark 5:28, a photograph capturing the moment when members of the audience were invited on stage to dance at an Iggy Pop concert in the Sydney Opera House on 17 April 2019. Depicting Iggy Pop in a crowd of dancing fans, the image focuses on the singer, a woman reaching to touch him and a stage assistant struggling to keep people at bay. The scene, which was likened to a Caravaggio painting, conjures a biblical passage: Because she thought, “If I just touch his clothes, I will be healed.” (Mark 5:25-34, line 28).
LANDSCAPE
Craig McGowan (Australia) for Ice Reflections, an image of a solitary iceberg, set against the fjord walls in Northeast Greenland National Park. The iceberg and surrounding landscape are perfectly mirrored in the clear waters of the river resulting in a painterly and abstract photograph.
MOTION
Alec Connah (UK) for Going Down!, a record of the moment the four cooling towers of Ironbridge Power Station in Shropshire were demolished on 6 December 2019.
NATURAL WORLD & WILDLIFE
Guofei Li (China Mainland) for Tai Chi Diagram, taken in Botswana, the picture features two cheetahs licking each other clean following a successful hunt – their position in the frame resembles the shape of a Yin and Yang symbol.
PORTRAITURE
Tom Oldham (UK) for Black Francis, a black & white portrait, originally taken for MOJO Magazine, of Pixies frontman Charles Thompson (aka Black Francis). When approaching the assignment Oldham, an experienced portrait photographer, was painfully aware of the many photoshoots his sitter has been the subject of and asked him to acknowledge his frustration with the process. The resulting image, picturing the singer digging his hands into his face, offered the perfect gesture and ran as the lead image for the article.
STILL LIFE
Jorge Reynal (Argentina) for A Plastic Ocean, a photograph of a dead fish seemingly struggling for breath in a plastic bag. The image aims to highlight the plastic pollution crisis impacting our oceans.
STREET PHOTOGRAPHY
Santiago Mesa (Colombia) for Colombia Resiste, the photograph documents a protester in the city of Medellin where workers and street vendors were taking part in a march when the Medellin riot squad dispersed them. This demonstration is one of many that have broken out across Latin America in recent years for reasons including the rising cost of living, inequality and lack of opportunity.
TRAVEL
Adrian Guerin (Australia) for Riding a Saharan Freight Train, an image taken from the top of the rear carriage of the iron-ore train in Mauritania as it was making its 700 km long journey from the coastal town of Nouadhibou to the Saharan wilderness of Zouérat. Stretching 2.5km in length, it’s one of the longest trains in the world transporting more than 200 carriages loaded with rocks.
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