Vanishing Landscapes

René Wissink blends motion, glass, and light to capture landscapes mid-disintegration.

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© René Wissink | Vanishing Landscapes

Dutch photographer René Wissink sees landscape as an event, capturing images while moving by vehicle, on foot, or bicycle over ten years.

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© René Wissink | Vanishing Landscapes

His series Vanishing Landscapes, created with an iPhone and NightCap Pro from 2016 to 2026, turns windows and reflective surfaces into optical tools, blending movement, glass, and light into flickering layers that nearly vanish. Influenced by dromoscopy—the perception shaped by speed—Wissink's work considers motion the core of visual experience. The series forms a continuous record of landscape in flux, captured at moments of disintegration.

© René Wissink | Vanishing Landscapes

René Wissink: I gather vanishing images in motion while walking, cycling, or travelling. Each window, screen, or even my own retina becomes a filter. Glass, reflections, and speed turn the landscape into vibrations of light and shadow. What I see is already fading. I do not try to stop it. I follow it.

© René Wissink | Vanishing Landscapes

Each image is both passage and pause — a brief moment between perception and disappearance. Movement is not a disturbance; it is the condition of seeing. As I move, the landscape fragments, layered with reflections and compressed into flickers.

Each image is both passage and pause — a brief moment between perception and disappearance.

© René Wissink | Vanishing Landscapes

In this, I recognise a kinship with Dromoscopy: seeing in motion, where vision dissolves into speed. The image does not represent the world; it emerges from moving through it. I do not document places. I witness their passing. Vanishing Landscapes was shot on iPhones between 2016 and 2026 using the NightCap Pro app.

© René Wissink | Vanishing Landscapes
About
René Wissink (1965) is a Dutch interior architect, graphic designer, and visual artist. He studied at the Academy of Fine Arts (AKI) in Enschede (1984–1990) and has worked as a designer and artist since 1988. His practice spans architecture, design, and autonomous art, with projects across Europe, North and South America, and Curaçao. Wissink is the founder of Atelier Argos and Argos Art, and has been a guest lecturer and external advisor at Cibap in Zwolle. His work explores time, systems, and material traces through multidisciplinary research and visual experimentation.
www.atelierargos.com

Vanishing Landscapes

René Wissink blends motion, glass, and light to capture landscapes mid-disintegration.

Words by  

Artdoc

Save
Unsave
René Wissink blends motion, glass, and light to capture landscapes mid-disintegration.
© René Wissink | Vanishing Landscapes

Dutch photographer René Wissink sees landscape as an event, capturing images while moving by vehicle, on foot, or bicycle over ten years.

© René Wissink | Vanishing Landscapes

His series Vanishing Landscapes, created with an iPhone and NightCap Pro from 2016 to 2026, turns windows and reflective surfaces into optical tools, blending movement, glass, and light into flickering layers that nearly vanish. Influenced by dromoscopy—the perception shaped by speed—Wissink's work considers motion the core of visual experience. The series forms a continuous record of landscape in flux, captured at moments of disintegration.

© René Wissink | Vanishing Landscapes

René Wissink: I gather vanishing images in motion while walking, cycling, or travelling. Each window, screen, or even my own retina becomes a filter. Glass, reflections, and speed turn the landscape into vibrations of light and shadow. What I see is already fading. I do not try to stop it. I follow it.

© René Wissink | Vanishing Landscapes

Each image is both passage and pause — a brief moment between perception and disappearance. Movement is not a disturbance; it is the condition of seeing. As I move, the landscape fragments, layered with reflections and compressed into flickers.

Each image is both passage and pause — a brief moment between perception and disappearance.

© René Wissink | Vanishing Landscapes

In this, I recognise a kinship with Dromoscopy: seeing in motion, where vision dissolves into speed. The image does not represent the world; it emerges from moving through it. I do not document places. I witness their passing. Vanishing Landscapes was shot on iPhones between 2016 and 2026 using the NightCap Pro app.

© René Wissink | Vanishing Landscapes
About
René Wissink (1965) is a Dutch interior architect, graphic designer, and visual artist. He studied at the Academy of Fine Arts (AKI) in Enschede (1984–1990) and has worked as a designer and artist since 1988. His practice spans architecture, design, and autonomous art, with projects across Europe, North and South America, and Curaçao. Wissink is the founder of Atelier Argos and Argos Art, and has been a guest lecturer and external advisor at Cibap in Zwolle. His work explores time, systems, and material traces through multidisciplinary research and visual experimentation.
www.atelierargos.com
Save
Unsave

Vanishing Landscapes

René Wissink blends motion, glass, and light to capture landscapes mid-disintegration.

Words by

Artdoc

Vanishing Landscapes
© René Wissink | Vanishing Landscapes

Dutch photographer René Wissink sees landscape as an event, capturing images while moving by vehicle, on foot, or bicycle over ten years.

© René Wissink | Vanishing Landscapes

His series Vanishing Landscapes, created with an iPhone and NightCap Pro from 2016 to 2026, turns windows and reflective surfaces into optical tools, blending movement, glass, and light into flickering layers that nearly vanish. Influenced by dromoscopy—the perception shaped by speed—Wissink's work considers motion the core of visual experience. The series forms a continuous record of landscape in flux, captured at moments of disintegration.

© René Wissink | Vanishing Landscapes

René Wissink: I gather vanishing images in motion while walking, cycling, or travelling. Each window, screen, or even my own retina becomes a filter. Glass, reflections, and speed turn the landscape into vibrations of light and shadow. What I see is already fading. I do not try to stop it. I follow it.

© René Wissink | Vanishing Landscapes

Each image is both passage and pause — a brief moment between perception and disappearance. Movement is not a disturbance; it is the condition of seeing. As I move, the landscape fragments, layered with reflections and compressed into flickers.

Each image is both passage and pause — a brief moment between perception and disappearance.

© René Wissink | Vanishing Landscapes

In this, I recognise a kinship with Dromoscopy: seeing in motion, where vision dissolves into speed. The image does not represent the world; it emerges from moving through it. I do not document places. I witness their passing. Vanishing Landscapes was shot on iPhones between 2016 and 2026 using the NightCap Pro app.

© René Wissink | Vanishing Landscapes
About
René Wissink (1965) is a Dutch interior architect, graphic designer, and visual artist. He studied at the Academy of Fine Arts (AKI) in Enschede (1984–1990) and has worked as a designer and artist since 1988. His practice spans architecture, design, and autonomous art, with projects across Europe, North and South America, and Curaçao. Wissink is the founder of Atelier Argos and Argos Art, and has been a guest lecturer and external advisor at Cibap in Zwolle. His work explores time, systems, and material traces through multidisciplinary research and visual experimentation.
www.atelierargos.com
Save
Unsave