


His series Vanishing Landscapes, created with an iPhone and NightCap Pro from 2016 to 2026, turns windows and reflective surfaces into optical tools, blending movement, glass, and light into flickering layers that nearly vanish. Influenced by dromoscopy—the perception shaped by speed—Wissink's work considers motion the core of visual experience. The series forms a continuous record of landscape in flux, captured at moments of disintegration.

René Wissink: I gather vanishing images in motion while walking, cycling, or travelling. Each window, screen, or even my own retina becomes a filter. Glass, reflections, and speed turn the landscape into vibrations of light and shadow. What I see is already fading. I do not try to stop it. I follow it.

Each image is both passage and pause — a brief moment between perception and disappearance. Movement is not a disturbance; it is the condition of seeing. As I move, the landscape fragments, layered with reflections and compressed into flickers.
Each image is both passage and pause — a brief moment between perception and disappearance.

In this, I recognise a kinship with Dromoscopy: seeing in motion, where vision dissolves into speed. The image does not represent the world; it emerges from moving through it. I do not document places. I witness their passing. Vanishing Landscapes was shot on iPhones between 2016 and 2026 using the NightCap Pro app.



His series Vanishing Landscapes, created with an iPhone and NightCap Pro from 2016 to 2026, turns windows and reflective surfaces into optical tools, blending movement, glass, and light into flickering layers that nearly vanish. Influenced by dromoscopy—the perception shaped by speed—Wissink's work considers motion the core of visual experience. The series forms a continuous record of landscape in flux, captured at moments of disintegration.

René Wissink: I gather vanishing images in motion while walking, cycling, or travelling. Each window, screen, or even my own retina becomes a filter. Glass, reflections, and speed turn the landscape into vibrations of light and shadow. What I see is already fading. I do not try to stop it. I follow it.

Each image is both passage and pause — a brief moment between perception and disappearance. Movement is not a disturbance; it is the condition of seeing. As I move, the landscape fragments, layered with reflections and compressed into flickers.
Each image is both passage and pause — a brief moment between perception and disappearance.

In this, I recognise a kinship with Dromoscopy: seeing in motion, where vision dissolves into speed. The image does not represent the world; it emerges from moving through it. I do not document places. I witness their passing. Vanishing Landscapes was shot on iPhones between 2016 and 2026 using the NightCap Pro app.



His series Vanishing Landscapes, created with an iPhone and NightCap Pro from 2016 to 2026, turns windows and reflective surfaces into optical tools, blending movement, glass, and light into flickering layers that nearly vanish. Influenced by dromoscopy—the perception shaped by speed—Wissink's work considers motion the core of visual experience. The series forms a continuous record of landscape in flux, captured at moments of disintegration.

René Wissink: I gather vanishing images in motion while walking, cycling, or travelling. Each window, screen, or even my own retina becomes a filter. Glass, reflections, and speed turn the landscape into vibrations of light and shadow. What I see is already fading. I do not try to stop it. I follow it.

Each image is both passage and pause — a brief moment between perception and disappearance. Movement is not a disturbance; it is the condition of seeing. As I move, the landscape fragments, layered with reflections and compressed into flickers.
Each image is both passage and pause — a brief moment between perception and disappearance.

In this, I recognise a kinship with Dromoscopy: seeing in motion, where vision dissolves into speed. The image does not represent the world; it emerges from moving through it. I do not document places. I witness their passing. Vanishing Landscapes was shot on iPhones between 2016 and 2026 using the NightCap Pro app.
