


Seen directly from above, tennis courts, roads, roller coasters and fishing huts become geometric elements within the landscape. Gorini’s flattened perspective shows how people organise, occupy and alter space. The series brings urban design and natural formations into a shared visual language of shape, scale and human presence.

Guillaume Gorini: In this body of work, I utilise the drone as a tool to flatten the world into a series of graphic textures, uncovering a hidden language written across the earth’s surface. By removing the horizon, I invite the viewer to witness the rhythmic interplay between natural environments and the deliberate marks of human presence.
I invite the viewer to witness the rhythmic interplay between natural environments and the deliberate marks of human presence.

My perspective is driven by a fascination with how we organise space. I find beauty in the rigid geometry of a tennis court, the serpentine coils of a roller coaster, and the stark, lonely thread of a highway cutting through the wild. Whether I am documenting the vibrant, structured playgrounds of the city or the raw, fractal patterns of a frozen river during my travels, I am looking for the same thing: the point where the organic meets the engineered.

These images are a study of scale and intention. From this height, a plea for affection painted on a rooftop or a cluster of ice fishing huts becomes a delicate artefact of our desire to belong and to play. By capturing these scenes from a suspended vantage point, I seek to transform the familiar into the abstract, revealing the world not just as a place we inhabit, but as a complex, living tapestry of shape, colour, and story.



Seen directly from above, tennis courts, roads, roller coasters and fishing huts become geometric elements within the landscape. Gorini’s flattened perspective shows how people organise, occupy and alter space. The series brings urban design and natural formations into a shared visual language of shape, scale and human presence.

Guillaume Gorini: In this body of work, I utilise the drone as a tool to flatten the world into a series of graphic textures, uncovering a hidden language written across the earth’s surface. By removing the horizon, I invite the viewer to witness the rhythmic interplay between natural environments and the deliberate marks of human presence.
I invite the viewer to witness the rhythmic interplay between natural environments and the deliberate marks of human presence.

My perspective is driven by a fascination with how we organise space. I find beauty in the rigid geometry of a tennis court, the serpentine coils of a roller coaster, and the stark, lonely thread of a highway cutting through the wild. Whether I am documenting the vibrant, structured playgrounds of the city or the raw, fractal patterns of a frozen river during my travels, I am looking for the same thing: the point where the organic meets the engineered.

These images are a study of scale and intention. From this height, a plea for affection painted on a rooftop or a cluster of ice fishing huts becomes a delicate artefact of our desire to belong and to play. By capturing these scenes from a suspended vantage point, I seek to transform the familiar into the abstract, revealing the world not just as a place we inhabit, but as a complex, living tapestry of shape, colour, and story.



Seen directly from above, tennis courts, roads, roller coasters and fishing huts become geometric elements within the landscape. Gorini’s flattened perspective shows how people organise, occupy and alter space. The series brings urban design and natural formations into a shared visual language of shape, scale and human presence.

Guillaume Gorini: In this body of work, I utilise the drone as a tool to flatten the world into a series of graphic textures, uncovering a hidden language written across the earth’s surface. By removing the horizon, I invite the viewer to witness the rhythmic interplay between natural environments and the deliberate marks of human presence.
I invite the viewer to witness the rhythmic interplay between natural environments and the deliberate marks of human presence.

My perspective is driven by a fascination with how we organise space. I find beauty in the rigid geometry of a tennis court, the serpentine coils of a roller coaster, and the stark, lonely thread of a highway cutting through the wild. Whether I am documenting the vibrant, structured playgrounds of the city or the raw, fractal patterns of a frozen river during my travels, I am looking for the same thing: the point where the organic meets the engineered.

These images are a study of scale and intention. From this height, a plea for affection painted on a rooftop or a cluster of ice fishing huts becomes a delicate artefact of our desire to belong and to play. By capturing these scenes from a suspended vantage point, I seek to transform the familiar into the abstract, revealing the world not just as a place we inhabit, but as a complex, living tapestry of shape, colour, and story.
